STEPHANIE PFLAUM. Between Skin and Space
An artist portrait of Stephanie Pflaum explores the intimate connection between the internal and external, as well as the cycle of vulnerability, restoration, and transformation.
An artist portrait of Stephanie Pflaum explores the intimate connection between the internal and external, as well as the cycle of vulnerability, restoration, and transformation.
"20 years of the VERBUND COLLECTION", the anniversary show in the Propter Homines Hall of the Albertina in Vienna, presents a selection of works that the founding director of the collection has acquired since 2004.
Albertina Curator Antonia Hoerschelmann and the artist Hubert Scheibl guide us through his exhibition "Seeds of Time" at the Albertina Museum in Vienna.
Kunsthalle Krems curator Andreas Hoffer guides us through the exhibition SPACES by artist Eva Schlegel. It's about borderless spaces, photography and film ...
Starting on 1st of July 2018 the austrian artist and former venice biennal participant presents her in situ work at Dominikanerkirche Krems an exhibition space
More than fifty years Rudolf Rischer worked as a stage designer at the big theater- and opera-houses in Europe. Drawing has always been a tool for him to develop
"What can painting do?" More than 40 years, Artist Erwin Bohatsch explores the possibilities of painting in his artistic work and doing so, he moved from figurative
“Sound Chair”, “Sound Dome”, “Serpentinata”, “Sound Column”… - Bernhard Leitner’s sound space objects and installations are all accessible
Monika Grzymala’s „spatial drawing“ unfolds in three dimensions, as an installation made of four kilometers of black tape. It is direct, concise and coherent
On the occasion of the 20st anniversary of the Architekturzentrum Wien the new exhibition "Az W Gold", curated by Sonja Pisarik, Monika Platzer, Katrin Stingl
Change, transformation, mutation, metamorphosis: Manfred Wakolbinger questions the surrounding space around us and puts our perception on a new level, in order
Platz da! Consensus or conflict? The exhibition in the Architekturzentrum Wien has a definite answer: both The production of space is a central aspect of
In the exhibition Now I See, the MUMOK in Vienna shows yet another retrospective of an internationally renowned Austrian artist. On display there is an overview
Constantin Luser challenges us to enter the maze of his imagination: he corners us against the wall of our indifference and confronts us with the unavoidable
Warhol, Newman, Wool “Barney is now at another party.“ When exhibitions show artistic developments in a larger context, it is a good thing for every visitor.
A grid-like strut frame, constructed out of several vertical and horizontal aluminum rods, stands in the space, and is held both together and upright by means
Gertrud and Dieter Bogner began collecting in the late 1970s, after inheriting Schloss Buchberg, which is located in Kamptal in Lower Austria. The castle was
Through his artwork, Carsten Nicolai overcomes the segregation of forms of sensory perception. Sound is made visible, light frequencies are heard. Sound, light,
At the ripe old age of 35, Francisca Benitez calls herself a “retired architect”. When the Chilean-born artist first arrived in New York ten years earlier,
Sculptures and installations of the artist Thomas Baumann possess the quality of being alive. Usually, they are moving. They de-form, they make noises, they
To put surfaces into the spatial. To construct three-dimensionality which we in turn flatten under our gaze. This transference - which opens up possibilities
One may think that there are not so many sculptresses. The fact is, they have always been around—they were already participating in cathedral workshops of
The production of “living pictures” has a tradition. They could already be found in the royal victory processions of antiquity and they appeared again in
The job description for Marten Spangberg encompasses many terms. He got his start as a dance critic, writes on theory, is active as a performer, dance dramaturge,
She produces films every year. She stands before the camera. She directs—in recent years, together with Chris Haring. It was a blessing that she met Chris
“If somebody would come and wash my car, it would be nice. It would be nice, it would be done, but I wouldn’t pay for it. Sometimes I think that for many
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