CLAUDE MONET. The Ephemeral
The ephemeral, the ever transforming, the changes of light, of atmosphere and of the seasons: Claude Monet (1840 – 1926) succeeded like almost no other artist to capture the perception of fleeting moments on the canvas.
The ephemeral, the ever transforming, the changes of light, of atmosphere and of the seasons: Claude Monet (1840 – 1926) succeeded like almost no other artist to capture the perception of fleeting moments on the canvas.
More than fifty years Rudolf Rischer worked as a stage designer at the big theater- and opera-houses in Europe. Drawing has always been a tool for him to develop
What you see isn't what you really get. There is something else—the effect of photography. According to curator Heike Eipeldauer, to an unsuspecting visitor
„Poussin to David“: The new exhibition in the Albertina Museum gives an insight into the world’s largest collection of drawings of the French baroque,
The current exhibition „From Dürer to Napoleon - The Origins of the Albertina” shows masterpieces of the Albertina’s collection in the context of the exciting biographies of its founders – prince Albert of Saxony, duke of Teschen and his wife the archduchess Marie Christine, daughter of empress Maria Theresia.
He has no employees, no assistants, no website or E-mail address. Ever since Glenn Murcutt opened his own office in Sydney in 1969, he works alone. An exhibition
"The First Hit of PHANTOMAK: The Ear Problem. No Problem." Masquerade, demasquerade, illusion, delusion, covering, decovering, position, superposition, appearance,
In the exhibition Now I See, the MUMOK in Vienna shows yet another retrospective of an internationally renowned Austrian artist. On display there is an overview
There has been substantial evidence for the theory, according to the German philosopher Peter Sloterdijk, that it is far less important for humans to know who
Through his artwork, Carsten Nicolai overcomes the segregation of forms of sensory perception. Sound is made visible, light frequencies are heard. Sound, light,
As you are looking at this podcast, you are looking into a monitor, be it on your laptop, your iPod, your mobile phone, etc. But how much time do you spend
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